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Medical Problems of Performing Artists

Medical Problems of Performing Artists is the first clinical medical journal devoted to the etiology, diagnosis, and treatment of medical and psychological disorders related to the performing arts. Original peer-reviewed research papers cover topics including neurologic disorders, musculoskeletal conditions, voice and hearing disorders, anxieties, stress, substance abuse, and other health issues related to actors, dancers, singers, musicians, and other performers.


Editor-Dance: Shaw Bronner, PT, PhD, OCS

Editor-Music: Eckart Altenmüller, MD

Editor-Music: Nancy N. Byl, PT, MPH, PhD

 Table of Contents

MARCH 2024, Vol 39, No 1

ARTICLES

Musculoskeletal Injury in Australian Professional Musical Theatre Shows: A 5-Year Retrospective Observation Study of 2,249 Medical Attention Injuries
Charlotte Ganderton, Annie Strauch, Catherine Etty-Leal, Adrian Pranata

To investigate the frequency and trends of musculoskeletal medical attention injuries occurring in Australian professional musical theatre performers over two consecutive Australian city tours.

Laterality in Body Coordination of Professional and Amateur Ballet Dancers While Performing a Single Pirouette with Pointe Shoes
Yurina Tsubaki, Yui Kawano, Cheng-Feng Lin, Mayumi Kuno-Mizumura

Imbalances in muscle strength coordination owing to lateral preference may be a risk factor for injury in dancers. Postural control is essential for the basic turn in ballet (pirouette), owing to its lateral asymmetry. Since dance with pointe shoes demands greater range of motion, muscle strength, and balance control compared to dancing with flat shoes, pointe shoes may further add to the risk and cause an imbalance between the preferred and non-preferred legs during pirouette. In this study, we examined lateral differences in professional and experienced amateur ballet dancers during single pirouettes with pointe shoes to understand the multiple elements involved in lateral balance control in pirouettes

Effect of Expiratory Muscle Strength Training on the Performance of Professional Male Trumpet Players [OPEN ACCESS]
Alexandra Türk-Espitalier, Dr. Matthias Bertsch, Isabelle Cossette

Many trumpet players use breathing training devices in addition to their daily practice routine. Playing a brass instrument requires, besides many other skills, a controlled air stream to generate the necessary air pressures. On the trumpet, high intraoral pressures are needed, especially during high and loud notes. Therefore, it is not uncommon in trumpet pedagogy to teach that the use of breathing training devices enhances physical strength so that the required pressures can be produced with less effort. However, to date, no systematic assessment of the use of breathing training devices among trumpet players exists and their effect on playing performance is still unclear. In this a pre-post, within-subject repeated measure study, we investigated the influence of a 5-week expiratory muscle strength training (EMST) upon trumpet performance.

One-Year Injury History and Safe Dance Practices Among Female Highland Dancers in Canada
Hayley M. McDougall, Amanda M. Black, Lindsay Morrison, Cassandra J. Brandford, Sarah J. Kenny

Over 8,650 Highland dancers registered to compete in Royal Scottish Official Board of Highland Dancing events worldwide in 2019. While the burden of dance-related injuries is high among dancers, there are few studies examining Highland dance. The purpose of this study was to describe the prevalence of self-reported 1-year injury history and safe dance practices among female Highland dancers.

Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians—Italian Version (MPIIQM-IT): Multicenter Validation, Translation and Cultural Adaptation
Francescaroberta Panuccio, Gloria Marcellini, Anna Berardi, Marco Tofani, Martina Uboldi, Giovanni Galeoto

The study aimed to translate, culturally adapt, and test the psychometric properties of the Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians (MPIIQM) in an Italian population of professional and amateur musicians.

Preliminary Feasibility and Acceptability Examination of Using a Novel Ergonomic Chinrest with a Low Shoulder Rest by a Viola Player: A Case Report
Stephanie Mann, Lotte Nygaard Andersen, Helene M. Paarup

High-string players, such as violinists and violists, are prone to neck problems. One factor can be their body posture, with often a rotated and flexed neck position with the jaw placed on a flat chinrest. The Kréddle chinrest (EC) was specifically designed to promote a more neutral neck position and prevent musculoskeletal problems among high-string players. This case report aims to evaluate the preliminary feasibility and acceptability of using the EC, with a low shoulder rest, in a pain-free professional high-string player. A secondary aim was to register newly developed pain and fatigue.

 About MPPA

Medical Problems of Performing Artists is a peer-reviewed medical journal that provides a worldwide forum for professionals involved in practice and research related to performing arts medicine. Issued quarterly, it publishes information about the origin and nature, management, and rehabilitation of medical problems affecting musicians, dancers, vocalists, actors, and others, including anxiety, musculoskeletal injuries and overuse, finger and hand problems, voice and hearing problems, stress, eating disorders, and neuromuscular disorders.

MPPA is the official publication of the Australian Society for Performing Arts Healthcare (ASPAH) and Performing Arts Medicine Association (PAMA).

Beginning with Volume 35 (2020), MPPA is published online-only (e-journal).

  • Editor-Dance: Shaw Bronner, PT, PhD, OCS
    Alvin Ailey and ADAM Center, New York, NY

  • Editor-Music: Eckart Altenmüller, MD
    Institut für Musikphysiologie und Musiker-Medizin, Hannover, Germany

  • Editor-Music: Nancy N. Byl, PT, MPH, PhD
    University of California San Francisco, San Francisco, CA

History: Medical Problems of Performing Artists began publishing in March 1986. It was begun by Alice Brandfonbrener, MD, who was approached by the publisher Hanley & Belfus to become its first Editor (MPPA 1995;10(4):113; MPPA 2005;20(2):63). Dr. Brandfonbrener was one of the pioneers of performing arts medicine, and in the 1980s she began organizing a conference of similar-minded physicians and researchers meeting at the Aspen Music Festival in Aspen, Colorado (MPPA 2002;12(4):147). In her first editorial in MPPA in March 1986, Dr. Branfonbrener explained the goals of the new journal: “The purpose of Medical Problems of Performing Artists is to promote interest in the medical problems of performing artists, to help in the search for and dissemination of information, and by these means to promote the well-being of this vulnerable and valuable segment of our society” (MPPA 1986;1(1):1). She went on to serve as Editor of the journal for 20 years.

            Over the following years, and following Dr. Brandfonbrener’s direction, the journal has helped to build awareness of the medical and health conditions affecting musicians, dancers, vocalists, actors, and other performing artists, as well as to inspire scientific research into their origins and treatment. In 1990, the journal was designated as the official publication of the newly formed Performing Arts Medicine Association, which Dr. Brandfonbrener, Dr. Richard Lederman, and notable others had organized in September 1989 (MPPA 1990;5(2):65). In 2005, the Dutch Performing Arts Medicine Association (Nederlandse Vereniging voor Dans- en Muziekgeneeskunde, NVDMG) adopted MPPA as its official journal (ending 2023), and in 2010, the Australian Society for Performing Arts Healthcare (ASPAH) joined as an official sponsor of the journal.

            MPPA was selected for indexing by Medline/PubMed beginning in 2010. Since 2002, the journal has been published by Science & Medicine, who as owner and publisher of the journal, are committed to preserving the vision of Alice Brandfonbrener and promoting the well-being of performing artists. 

Indexing:

The journal contents is listed and indexed in:

  • MEDLINE/PubMed

  • PsycInfo

  • Google Scholar

  • Current Contents/Arts & Humanities

  • ISI/BIOMED

  • Excerpta Medica/EMBASE

  • CINAHL

  • International Index to Music Periodicals

  • Music Index

  • RILM (Répertoire Internationale de Littérature Musicale) Abstracts of Music Literature

PAMA

Performing Arts Medicine Association is an organization comprised of dedicated medical professionals, artists, educators, and administrators with the common goal of improving the health care of the performing artist.

Performing Arts Medicine Association (PAMA)
PO Box 117
Englewood, CO 80151
USA
E-mail: services@artsmed.org
https://artsmed.org

ASPAH

The Australian Society for Performing Arts Healthcare is a charitable organization devoted to providing "holistic lifespan healthcare for performing artists," with membership open to anyone who cares about the well-being of performing artists.

Australian Society for Performing Arts Healthcare (ASPAH)
c/o Paul Duff, The Woy Woy General Practice
26-30 Railway Street
Woy Woy, NSW 2256
Australia
E-mail: secretary@aspah.org.au
www.aspah.org.au

Submitting Articles

MPPA is pleased to consider original research studies, case reports, systematic review articles, and letters to the editor for possible publication.